History
It has become a formidable promotional tool for
Colmar and Alsace, setting itself the goal of contributing to the
international influence of the region through a top-quality classical
music event.
Attracting the international music lover to Colmar is the long-term goal.
Today we can say that Colmar and Alsace benefit, thanks to the music festival, from very good international media coverage.
Since 1994, the
New York Times has
selected the Colmar International Festival among the 10 best festivals
of Europe and among the 4 or 5 deserving of more interest in France. We
can read articles about the festival in The Moscow News and El Pais,
the Washington Post and the Frankfurter Allgemeine, Die Welt, Le
Figaro, Le monde, as well as in Canadian, Swiss and Japanese press. It
is a great success and undeniably increases the international
reputation of Alsace.
First period, from 1980 to 1989 |

The festival's first period, with Karl Munchinger, the great German conductor, and his Stuttgart chamber orchestra, lasted ten years from 1980 to 1989. The festival remained during that time an event attracting only local and regional interest.
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Second period, since 1989 |
Vladimir Spivakov
The experience it acquired with Karl Munchinger led the Colmar festival to develop in a completely different direction during its second period. By choosing Vladimir Spivakov, a Russian violinist and conductor of international renown as its Artistic Director, the new International Festival of Colmar immediately became part of the international musical arena both in terms of image and reputation.
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Colmar International Festival tributes: |
| 1989
Glenn Gould |
| 1990
David Oïstrakh and the Russian violin school |
| 1991
Jacqueline Du Pré and women artists |
| 1992
Vladimir Horowitz |
| 1993
Yehudi Menuhin |
| 1994
Andrés Segovia, classical guitar, and Spain |
| 1995
Arthur Rubinstein |
| 1996
Ginette Neveu and French music |
| 1997
Pablo Casals, cellist and composer |
| 1998
Fiodor Chaliapine, Russian singers and music |
| 1999
Leonard Bernstein, the art of conducting and American music |
| 2000
Arturo Benedetti Michelangeli, piano and Italy |
| 2001
Joseph Szigeti, violin and Hungary |
| 2002
Jean-Pierre Rampal, wind instruments and French music |
| 2003
Krzysztof Penderecki, Poland, Polish music and Polish artists |
| 2004
Jessye Norman, the United States and American musicians and composers |
| 2005
Dmitri Chostakovitch and his musical world |
| 2006 Emil Guilels |
| 2007 Charles Munch |
| 2008 Mstislav Rostropovitch |
| 2009 Sviatoslav Richter |